110 mins | Genre: Crime Thriller/Action | Colour | Stereo | UK | 2023 | Completed | BBFC Certified TBC

Tech Info: Shot on RED Helium Cameras 8k  

Post Edit – Adobe Premiere Pro | Grade – Davinci

Audio Mix – Pro Tools

Music Production – Cubase

HISTORY:

Initial production started during the Covid-19 Pandemic and saw this low-budget independent production shoot on location in the UK, USA and Europe over the course of 18 months.

HASH TAG:

#FYRERISES

TAG LINE:

Some flames can never be extinguished

LOG LINE:

Richard Fyre has tried to escape his violent past for 15 years when zealot crime lord Priest forces him back into action causing his past, present and future to collide.

SYNOPSIS:

HARVEY GLEN:

Harvey’s work shines as a Director of Photography, illuminating a spectrum from commercials to documentaries, comedy to music performances. With an industry immersion of over a decade, he’s cultivated an abundance of experience, collaborating with Producers, Directors, Clients, and leading camera, electrical, and grip teams.

Raised in the digital milieu, Harvey’s journey resonates with a modern Cinematographer’s evolution. His relentless quest for knowledge and embrace of new technology chart his path of growth.

Fueled by a fervor for storytelling, Harvey’s mastery of lighting, framing, movement, and composition is evident. He consistently seeks fresh horizons, inviting innovative collaborations.

Harvey encapsulates his cinematographic philosophy: “To me, being a cinematographer is much more than just a job, it is a true expression of my craft. I like to use a combination of technical and creative skills to help express the director’s vision and tell a story.”

His legacy gleams through impactful works: “Night Swim (2024),” “The Flash (2023),” “NCIS: Los Angeles (2022–2023),” and “Adam Sandler: 100% Fresh (2018).” Harvey’s lens captures narratives that resonate profoundly.

KATE GRIFFITHS:

Kate, a veteran Makeup Artist with 15+ years’ experience, excels in Special Effects, Design, and Makeup Application. Her adaptable skills span film, studio, and theater. With a meticulously curated kit, Kate tackles assignments across the UK for filmmakers, agencies, and events.

Kate leads Makeup and Special Effects in feature films, evidenced by her upcoming involvement in Skylark Vision’s “Witch.” Her footprint extends to TV and digital platforms, including Amazon Prime. Collaborations with ITV and high-profile projects showcase her adaptability, while her work on “RESIDENT EVIL 6” demonstrates her finesse with A-list clientele.

Kate’s impact extends beyond traditional projects. Her work on a short TV project could soon grace COMEDY CENTRAL, highlighting her diverse creativity.

MARK JOHNSTON:

Mark Johnson, founder of Movieworks International’s stunt and fight crew, brings two decades of experience to the table. With an exceptional team, state-of-the-art equipment, and a dedicated training space, their 12-year training syllabus covers every aspect of stunts and action scenes.

From script analysis and risk management to fight choreography, falls, fire stunts, vehicles, weapons, training, mocap action, and more, Mark’s expertise is all-encompassing. His high-ranking martial arts achievement as Dai Shihan reflects his mastery.

Mark takes pride in his team’s excellence and his role as a fight and stunt choreographer. His combat skills inject authenticity into every project. His specialties span combat training, fight choreography, stunt coordination, wire work, fire stunts, car stunts, and high falls. Beyond film, he extends his knowledge to close protection training for various industries.

His credits include notable works like “LAZARUS PROJECT,” “THERE’S SOMETHING ABOUT MOVIES,” “WAR OF THE WORLDS,” and “ONE WAY OUT.” Informed and succinct, Mark Johnson’s impact on the world of action and stunts is unequivocal.

KRIS SOMMERVILLE:

Kris Sommerville stands as a preeminent figure in the world of armory for film and television, a masterful artisan who has left an indelible mark on the industry.

With an illustrious history spanning numerous years, Kris has not only provided impeccable consultancy services but has also been the driving force behind the supply of uniforms for a myriad of TV productions and feature films.

Drawing from over a decade of invaluable policing experience, Kris brings an unparalleled depth of understanding to his craft. His specialisation in Police Firearm Tactics and Law limitations places him at the forefront of his field, ensuring that every detail is meticulously attended to.

In a realm where precision, authenticity, and artistry converge, Kris Sommerville stands as a visionary armorer who transforms the creative visions of film and television into captivating reality.

Credits include, “Renegades (2022)”, “ID2: Shadwell Army (2016)”, “Riot (2017)”, “Nenokkadine (2014)”.

PEDIGREE:

Fyre Rises delivers a bold auditory experience, showcasing an exclusive soundtrack featuring exceptional artists. Michelle Platinum, a celebrated name renowned for platinum sales and favored by Ministry of Sound enthusiasts, takes center stage. The genius behind chart-topping “What’s It Gonna Be,” Michelle Platinum lends her latest masterpiece, “In The Darkest Hour,” to enrich the film’s sonic landscape.

Additionally, the soundtrack resonates with the talents of Otto and the Shadow Hunters, LJ Howard, and REDNEK, adding layers of depth and allure to the cinematic journey.

IAN A. HUGHES:

An adept composer, Ian boasts an expansive affinity for diverse musical styles. His passion for musical exploration has yielded a dynamic repertoire of film scores, spanning psychological thrillers, gripping dramas, and adrenaline-infused action narratives.

Ian’s resolute objective: to consistently challenge himself, delving into uncharted musical territories. His compositions resonate with undeniable intensity, evoking profound emotions while bearing the unmistakable imprint of his distinct sonic identity.

Commencing his journey with short films and animations, Ian’s prowess captured the attention of the esteemed Royal Shakespeare Company, leading to a collaboration on an animation project. Throughout his career, he achieved notable milestones, including scoring the feature-length film “American Bred,” featuring Academy Award nominee Michael Lerner.

Demonstrating his musical mastery, Ian contributed his talents to notable projects like the 90-minute documentary “My Darling Vivian,” the enigmatic “Strategy And Pursuit,” and the captivating “The Onania Club,” collaborating with luminaries like Tom Six.

Ian’s compositions traverse boundaries, inviting audiences into a realm of unparalleled auditory experiences. His Spartan command of sound weaves a vivid tapestry, fusing genres and emotions seamlessly. Through Ian’s musical artistry, the possibilities are boundless, and the horizon promises even grander harmonies.

RYAN HATTON:

Throughout his career, Ryan Hatton’s work as a sound designer and re-recording mixer has showcased his exceptional talents and commitment to delivering high-quality audio experiences. With his ability to create captivating soundscapes that complement and elevate storytelling, he has become a sought-after professional in the entertainment industry.

In 2023, Ryan was the supervising sound designer for Post-production in the highly anticipated film “Winnie the Pooh: Blood and Honey.” His meticulous attention to detail and innovative sound design approach enriched the movie’s audio landscapes, immersing the audience in the beloved world of the characters.

He further demonstrated his skill as a sound designer in the thrilling disaster film “Firenado,” where his creative soundscapes enhanced the tension and excitement of the story.